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Hardwired...To Self-Destruct

Deluxe Edition

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Track Listings

Disc: 1

1 Hardwired
2 Atlas, Rise!
3 Now That We're Dead
4 Moth Into Flame
5 Dream No More
6 Halo On Fire

Disc: 2

1 Confusion
2 ManUNkind
3 Here Comes Revenge
4 Am I Savage?
5 Murder One
6 Spit Out The Bone

Disc: 3

1 Lords Of Summer
2 Ronnie Rising Medley (feat. A Light In The Black, Tarot Woman, Stargazer & Kill The King)
3 When A Blind Man Cries
4 Remember Tomorrow
5 Helpless (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
6 Hit The Lights (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
7 The Four Horsemen (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
8 Ride The Lightning (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
9 Fade To Black (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
10 Jump In The Fire (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
11 For Whom The Bell Tolls (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
12 Creeping Death (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
13 Metal Militia (Live at Rasputin Music, Berkeley, CA - April 16th, 2016)
14 Hardwired (Live at U.S. Bank Stadium, Minneapolis, MN - August 20th, 2016)

Editorial Reviews

Metallica will release their eleventh studio album, Hardwired…To Self-Destruct, on November 18th, via Blackened Recordings. The 3 CD / 3 Vinyl set is the Grammy Award winning Rock and Roll Hall of Fame inductee’ s first studio album since 2008’ s multi-platinum Death Magnetic. Hardwired…To Self-Destruct is produced by Greg Fidelman, who engineered and mixed Death Magnetic. Metallica formed in 1981 by drummer Lars Ulrich and guitarist and vocalist James Hetfield and has become one of the most influential and commercially successful rock bands in history, having sold 110 million albums worldwide while playing to millions of fans on literally all seven continents. They have scored several multi-platinum albums, including 1991's Metallica (commonly referred to as The Black Album), with sales of nearly 17 million copies in the United States alone, making it the best-selling album in the history of Soundscan. Metallica has also garnered numerous awards and accolades, including nine Grammy Awards, two American Music Awards, and multiple MTV Video Music Awards, and were inducted into the Rock and Roll Hall of Fame and Museum in 2009. In December 2013, Metallica made history when they performed a rare concert in Antarctica, becoming the first act to ever play all seven continents all within a year, and earning themselves a spot in the Guinness Book of World Records. “Hardwired,” the first track to be released from the forthcoming album was played for the first time during a live remote broadcast from Metallica’s HQ in the Bay Area. During an interview with Minneapolis rock station 93X discussing the band’s performance at U.S. Bank Stadium on August 20th, Lars Ulrich stunned 93X’s Pablo by unleashing the incendiary song for the first time, much to the surprise (and delight) of the station, as well as fans around the world.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 4.92 x 5.75 x 0.91 inches; 5.78 ounces
  • Manufacturer ‏ : ‎ Rhino/Blackened Recordings ADA
  • Original Release Date ‏ : ‎ 2016
  • Date First Available ‏ : ‎ August 19, 2016
  • Label ‏ : ‎ Rhino/Blackened Recordings ADA
  • ASIN ‏ : ‎ B01KP8CSWE
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 3
  • Customer Reviews:
    4.7 out of 5 stars 4,286 ratings

Customer reviews

4.7 out of 5 stars
4,286 global ratings

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8 years was worth the wait for this new music from Metallica!
5 out of 5 stars
8 years was worth the wait for this new music from Metallica!
We have waited 8 years for a new album from Metallica! I ordered this on vinyl and the limited deluxe edition box set so it came on 3 vinyl LPs. Disc 1, 2 & 3 are the same as the CD double set with the same track list but you get a CD of 9 songs that were recorded live at rasputin music in Berkeley on April 16th 2016 and the title track Hardwired recorded live at the US Bank Stadium in Minneapolis on August 20th, 2016. First off I ordered this on vinyl because of the way I remember listening to Metallica on vinyl and wanted to bring some of the nostalgia back. I've built up my collection of vinyl over the last few years and this was the way I wanted to hear it! As soon as it was available I used the "auto rip" feature on Amazon so I could hear it and it was an awesome experience! The songs are an incredible journey and takes you on a tempo ride across the groves of the record! You are just carried off and gives you the thing you want most - the crazy thrash and heavy metal riffs of the band we all love! In the boxed set you get a few extra things - not just a 3rd LP. First off it is pressed on 180 gram vinyl (33 1/3 speed) and each LP is a different color! One blue, one yellow and one is red. If you get the regular vinyl (2 LPs) I believe it is press on regular black vinyl. In addition to the LPs you get a bonus CD and additional digital download (not just the auto rip). You also receive 4 lithograph photo prints and buttons for the "to self-destruct" theme of the album. I can tell you that this was worth the 8 year wait for a real Metallica fan! Regardless of how you purchased this (MP3, CD, regular vinyl or the box set you will not be disappointed! Enjoy this! I have taken a few pictures of the boxed set so you can really see what you get. It is really worth the extra because it is packed with bonus stuff and comes all packed in a great storage box. All of these photos were taken by me using the camera on my phone - no professional photography so take it for what it is. I hope this gives you a good idea and hope you like it.
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Top reviews from the United States

  • Reviewed in the United States on December 9, 2016
    Well ladies and gentleman, after eight long years since the release of "Death Magnetic", we're finally treated with Metallica's tenth and brand new album, "Hardwired...To Self Destruct". This all began back in August when Metallica released the balls-out, thrashing title track "Hardwired", and I was immediately impressed and excited with what I heard, and was also excited to hear and see what else the new album would bring. Then later on, we would get two more songs to enjoy in "Moth Into Flame" and "Atlas, Rise!", both which were also very damn impressive as well, and they would of course hold us all over for the remainder of the album.

    Now as for the whole album itself, I was greatly impressed and amazed after finally listening to it in it's complete entirety. This is definitely a very top notch album from start to finish, and it sure doesn't disappoint at whatsoever. I definitely have to say that this album here is quite easily the best thing that Metallica has put out in such a long time, especially since 1988's "...And Justice For All", and their 1991 "Black Album". The overall production which is handled by Greg Fidelman (who was also responsible for the engineering and mixing on the band's previous outing "Death Magnetic") is just solid and fantastic, and clean throughout, and dare I say much better than "Death Magnetic" even though I like that album too as much as the next person, and St. Anger? Ugh, I won't even bother to discuss that abomination. This album here features elements of all the band's classic 80's albums from "Kill 'Em All", "Ride the Lightning", "Master of Puppets", and "...And Justice For All" most importantly, as well as their early/mid 90's material including the "Black Album", and even both "Load" and "Re-Load" as well. You've got a mixture of fast, furious, and thrashing tunes ("Hardwired", "Moth Into Flame", "Spit Out the Bone"), along with heavy, down-tuned riff crushers ("Dream No More"), and catchy, mid-tempo headbangers ("Confusion" and "Here Comes Revenge") thus resulting in a pure juggernaut of pure awesome, top notch heavy metal madness. Let's first discuss about the guitars, and boy oh boy, there's sure a lot going on in that department, believe me. James Hetfield and Kirk Hammett both bust out all kinds of amazing riffs that just have some serious bite throughout, melding and blending the blistering, and brutal thrash riffing from the 80's material with the hard rock style from the 90's material together, and of course, Hammett's leads and solos on here are without question some of the best that he's ever played on a Metallica album in a long time as well. James Hetfield's vocal performance on here is just dare I say one of the absolute best performances that he's ever done in ages. His singing is just fantastic here, and there's also plenty of aggression in his voice that really echo back to the band's earlier days as well. Elsewhere, Rob Trujillo's bass is very prominent, and he is actually heard clearly throughout here, and he also throws in a great bass solo on "Spit Out the Bone" as well. I'd say that Rob's bass playing here reminds me of Cliff Burton quite a bit, and he also even gets himself involved in the songwriting on "ManUNKind" too. Meanwhile, last but not least, Lars Ulrich's drumming performance here is very solid and stellar throughout, and also some of his finest work behind the drums since "...And Justice For All" I might add with some great fast, and highly effective thrashing beats, and great, ripping double bass patterns mixed with the more simpler hard rock style beats as well. Overall, I really like how the drums are mixed very nicely and perfectly with all the other instruments on this album.

    The first disc's opening, balls-out thrasher "Hardwired" (which I mentioned earlier) immediately gets the album going at full speed as the song boasts a fast and furious onslaught of blisteringly fast, and fiery, breakneck, machine-gun riffing, and rapid firing, hammering, thrashing drums, and angry, aggressive vocals, and it also includes a great chorus, as well as a sick, ripping, blazing Hammett solo too. Definitely a terrific start to a terrific, top notch album. Following that, is "Atlas, Rise!" which is another huge favorite on here, and an excellent, energetic, mid-tempo thrasher that is highlighted by awesome, chugging, thrashy riffage, as well as some great Iron Maiden-esque harmonies, plus great drumming, and plenty of catchy vocal and lyrical deliveries from Hetfield, and the song also contains yet another memorable chorus, plus some wicked soloing from Hammett as well. Afterwards, we have "Now That We're Dead" which isn't the fastest song on the album, but it's still a huge standout here, and is really catchy as well. This song is filled with awesomely heavy, crunching, chunky riffs, and also includes another tremendous chorus, and more awesome vocal and lyrical deliveries as well. Lars' drumming on this song is also another highlight here, as he displays some really cool double-kick sections, and Kirk also uncorks another awesome solo at the 4:24 mark for good measure too.

    The next track, "Moth Into Flame" is yet another huge standout track that borderlines on an excellent up-tempo attack with more fantastic, all around heavy duty riffing, and aggressive, yet melodic vocals, as well as some killer, blistering, head decapitating, thrash tempos (that include fiery, neck-breaking riffs and cool leads, and pummeling double bass thuds), and also contains another wicked, scorching, and wailing solo, and another great chorus as well. Next, we have the slow, and crushingly heavy, and eerie, down-tuned burner in "Dream No More" which really harkens back to classic Metallica cuts such as "Sad But True", "The Thing That Should Not Be", and "Devil's Dance" due to it's menacingly slow, and crushing, and heavily down-tuned riff attack, and sinister, yet melodic vocal deliveries from Hetfield, and the song is also highlighted by yet another awesome Hammett guitar solo around 4:13 as well. Another thing that I like to point out is that the lyrics in "Dream No More" center around Cthulhu, so I see this song to be a sequel to the band's song "The Call of Cthulhu" (from the "Ride the Lightning" album). Then, closing out the first disc, we have "Halo on Fire", and the one word to describe this song would have to "UNBELIEVABLE"!!! I can totally hear some shades of "Fade to Black" on this song. Hetfield croons calmly over calm, and quiet, melodic verses which of course build up dynamically to the song's intense and powerful chorus in which his vocals get more heavy and intense, and the song also includes some more awesome heavy guitars, bass, and drums as well. Also, another thing I want to point out it that this song is also home to one of Kirk Hammet's most powerful, soaring, and emotionally charged guitar solos, and dare I say, one of his absolute best solos ever in my opinion. It is just absolutely amazing. I love it.

    Kicking off the second disc is "Confusion", which is an incredible war-themed track as portrayed in it's respective music video. Not one single word can describe how much I love this song. This song has seriously risen to be one of my favorite Metallica songs already, and it's also my absolute favorite song on this whole album as well. The riffs throughout this track are just pure crushingly heavy, and I also love that opening riff which sounds very reminiscent of "Am I Evil?" too, and the drums and bass both pound nicely throughout as well. Hetfield also kills it vocally here with his amazing, and emotionally charged vocal delivery throughout as he sings such hard hitting lyrics such as: "Wake to face the day...Grab this life and walk away...War is never done...Rub the patch, and battle on..., and "Leave the battlefield...Yet it's horrors never heal...Coming home from war...Pieces don't fit anymore"... The song also features a very super catchy chorus, as well as some more awesomely solid soloing from Hammett which include a cool, bluesy solo around 2:53, as well as another wickedly awesome, scorching, and screaming solo around the 5 minute mark too. This song is definitely metal as metal gets. Afterwards, we have "ManUNKind" which starts off nicely melodic, and calm before soon thrusting into a very groovy and catchy Black Sabbath-like jam that just oozes with awesome, groovy, heavy Sabbath-esque riffing, and solid, awesome drumming, and pounding bass lines that just hit hard with full impact, and also features another awesome, catchy chorus, and another great solo as well. Next up, is "Here Comes Revenge" which yet another awesome track that starts off with a nice, heavy intro, and then kicks straight into a catchy, mid-tempo, heavy rocker that features slower verses that build into a upbeat, hot cooking, and hard driving chorus, and also features a sick, scorching, ripping, and wailing Hammett solo around 4:55, plus Lars also tends to show off some fancy double bass foot work near the end of the track as well.

    "Am I Savage?", meanwhile starts off with a nice, and bluesy, moody intro before going into a full blown piece of slow, and brooding doom metal all complete with slow, massively pounding, and head-crushing power chords, along with loud, thundering bass lines, and drums that all just come thundering right through your speakers with absolute authority. The chorus in this song is also really cool, and the song itself is also highlighted by a wickedly sick, and screaming, soaring guitar solo around the 4:27 mark as well, and is also one of Hammett's finest solos on this album too. Then, following that is "Murder One" which is an outstanding tribute to the late, great Lemmy Kilmister from Motorhead, which starts with a calm, somber intro, and then cranks up the heaviness with some excellent, heavy, crushing riffage throughout along with some great drumming, and awesome vocals from James as well, and the song also features yet another killer, wailing, winding, and shredding solo from Kirk as well. Definitely another one of my favorites here. Then afterwards, the album finally concludes with the vicious, fiery, in-your-face, thrashing closer "Spit Out the Bone", and believe me, this song just totally smokes, and it's also in my opinion one of Metallica's best songs, and guaranteed to be a future classic as well. Right from the get-go, "Spit Out the Bone" just thrashes your face off with a mean, savage, thrashing onslaught of furiously fast, mean, lightning quick, thrashing riffs and spitting leads, and rapid-fire, pounding drumming, and mean, aggressive yet melodic vocal deliveries that will have your pulse pounding wildly throughout. The song is also highlighted by a wickedly cool bass solo by Rob at 2:43, and later highlighted by a successful, soaring, and furiously ripping, shredding solo flight by Kirk to top things off.

    The third disc of this Deluxe Edition is just jam packed with all kinds of goodies including "Lords of Summer" which is a great thrashing tune, as well as some covers of Dio, Iron Maiden, Deep Purple, and Diamond Head songs, plus some live performances of classic Metallica tunes that were recorded live at Rasputin Music at Berkeley, California on April 16th, as well as a live version of "Hardwired" which was recorded live at U.S. Bank Stadium in Minneapolis, Minnesota.

    All in all, with "Hardwired...To Self Destruct", the guys from Metallica have proven that even in their mid 50's that to this very day that they still have plenty of fire power left in their arsenal, and is truly a triumphant return for the Bay Area metal legends. This album has truly exceeded my listening expectations, and has definitely become one of my favorite metal releases of 2016 along with Megadeth's "Dystopia", Testament's "Brotherhood of the Snake", and "Anthrax's "For All Kings" (all which I've also reviewed on here as well, be sure to check out my reviews for those BTW), and among others. Overall, "Hardwired...To Self Destruct" like I mentioned earlier is easily without question the best album that Metallica has put out in a very, very long time, and I highly recommend you buy this album, because it is truly worth the wait, and worth your hard earned cash. Metallica fans, you finally have something to be proud of. HORNS UP!!! \m/ \m/

    Jeremy
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  • Reviewed in the United States on November 23, 2016
    Eight long years after Death Magnetic, Metallica's turn-back-the-clock, deep-fried-to-a-crisp sounding return to form comes Hardwired... To Self Destruct. It's been a long wait in which Metallica has repeatedly left fans scratching their heads with oddball releases such as their poorly received collaboration with Lou Reed, Lulu, (which I do not consider to be a Metallica album) and Through the Never, an ambitious attempt to merge cinema and concert-film (at least it resulted in a pretty cool live double-CD). They also started (and subsequently folded) an annual music festival and became the first band to play a show in Antarctica (yay...?). Finally in late 2016, the album the world has been impatiently tapping their feet waiting for has arrived.
    I pre-ordered the Deluxe Edition when it was announced and since receiving it on the release date (well the MP3s actually, as somebody dropped the ball somewhere, resulting in a shipping delay on my physical copy - grr...) I have been listening to it on repeat for days. At this point all I can say is... wow. Metallica has been my favorite band since I was 13 and blasting the Black album endlessly while playing NHL Hockey on my Sega Genesis. Hardwired may be the first new release since then that has made me feel like that 13 year old kid again. Don't get me wrong, I love Load and Reload. I dug them at the time and enjoy them even more now. And I still jam on Death Magnetic and its companion, Beyond Magnetic to this day. We'll not talk about St. Anger. But Hardwired... takes it to another level by fully encompassing and doing justice to their entire awesome career.
    There's something on this album for (almost) everyone. If you want fast & thrashy, the title track and Spit Out the Bone have got you covered. You dig the heavy, down-tuned, eerie vibe of Metallica jams like Sad But True, Thing That Should Not Be, and Devil's Dance? Dream No More is a great addition to that legacy. You like mid-tempo & catchy (a-la the Black album)? Check out Here Comes Revenge and Confusion.
    Hardwired... isn't just a nostalgia act for lovers of past Metallica releases. Unlike Death Magnetic, which often came off as Metallica-by-the-numbers, Hardwired better reflects Metallica's old-school influences. Atlas, Rise has an immediate, classic Iron Maiden vibe to it with its plentiful guitar harmonies. ManUNkind reminds one of a classic Sabbath jam at their most cocaine-addled peak.
    Metallica also have some new tricks up their sleeve. Moth Into Flame brings an up-tempo attack combined with aggressive but melodic vocals that sound almost unique in a scene that has been permeated with monotonous shouty/screamy/death-growly stuff over the last couple of decades. The closer of the first disc, the eight minute long Halo On Fire, is a fresh and unique take on their usual ballad format. This album does not really have proper ballad (which some may lament while others may cheer), but this is the closest they get to that formula. Hetfield croons over quiet, minor key verses with strategically placed tritones for an extra helping of darkness, building up dynamically to an intense chorus which concludes with Hetfield screaming "Halo On Fire!" with fist-pumping authority. And the second half... oh my god! The verse-chorus structure gives way to an absolutely epic bridge and solo section that, rather than pummel you like the end sections of One and Sanitarium, instead becomes an anthem of melodic awesomeness with soaring harmonies galore. Great stuff.
    The only negative with Hardwired... is that disc two bogs down a bit in the middle. Am I Savage? and Murder One in particular feel like filler tracks. They are certainly listenable, and it's kind of fun hearing Hetfield name drop Motorhead tunes in tribute to Lemmy in the latter tune, but the energy lags a little. That said, a couple filler tracks on a 77 minute album is truly a minor complaint. Most of the classic heavy metal albums from the 70's and 80's (which were typically much shorter in run time) had a filler track or three. That said, this album may have benefited from a re-ordering of the track list, or perhaps adding the two above to the already chock-full third disc of the Deluxe Edition.
    Speaking of, the Deluxe Edition 3rd disc is one that is jam packed with goodies and actually out-numbers the first two discs put together with it's fourteen tracks. I highly recommend this version over the standard release. Lords of Summer leads off the set, and it's a track that sonically fits the rest of Hardwired quite well. It's a cheesy anthem to summer touring, but I dig it. The next three tracks are Dio, Deep Purple, and Maiden covers that hearken back to Garage Days a bit. It's nice to finally have these three recordings on a proper Metallica release. The rest of the disc includes an awesomely raw set consisting of nothing but early Metallica gems. The performances are all over the place, but the fun, intimate vibe of a set performed in a record store for a captive audience is captured well. The final track is a live cut of the title track. It sounds heavier but slightly less energetic mainly due to Metallica's usage of e-flat tuning for all live work.
    The production is much better than Death Magnetic. There are some similarities to the latter in the tonality of the instruments, but the album is not compressed and boosted to death, allowing some actual dynamic range to be heard. The mix allows instruments have some room to breath and to carve out their respective sonic spaces. Actual production techniques are employed, with sorely missed elements returning such as reverb, echo, and overdubs, especially on the vocals.
    The performances on this album are solid. Lars will never be Dave Lombardo on the double bass drums, but his creativity from a rhythmic standpoint stands out. Rob lays down some excellent (and audible!) bass work, with brief nods to Cliff Burton at points both with melodic interludes as well as distorted bass soloing. Kirk continues his approach of improvised, pentatonic, wah-infused soloing. He's gotten a lot of flack over the years (second only to Lars), but I enjoyed his work on this album. His solos are off the cuff but often interesting, and his melodic lead-work during the second half of Halo on Fire really carries things over the top.
    That said, James Hetfield is absolutely the star of this show. His vocals will never regain the deep bark that he had prior to blowing his voice out in 1993, but here he is as on point as he has been since the Load years. He sounds much more natural singing over standard-tuned guitars then he did on Death Magnetic. There's no struggle to hit certain notes.
    Hetfield carries the album even more so with his mastery of the winding metal riff. Kirk Hammett has no writing credits on this album (supposedly due to losing his iPhone loaded with 250 riff ideas). Kirk has certainly made some great writing contributions over the years, but James is a legend when it comes to forging heavy, groovy, and catchy metal riffs with his mighty hands. He knows how to balance technicality with articulation, something lost on far too many guitarists in the metal scene. These qualities are why Metallica riffs have stood out from the pack over the years and, dare I say it, are why Metallica may be the only heavy metal band to transcend the genre and reach that legendary tier reserved for bands of only the utmost fame, influence, and legacy (Pink Floyd, Led Zeppelin, etc.).
    To sum things up, if you are a Metallica fan who enjoys the majority of their back catalog or if you love old-school metal in general, you must buy this album! If you are hopelessly attached to the visual and aural aesthetics of late 80's thrash, you will likely be disappointed with much of this album, but I implore such types to open their minds a bit and compare this not to Slayer or Testament but to early metal titans such as Maiden, Sabbath, Motorhead, & Judas Priest or to the more underground NWOBHM stuff of the day like Diamond Head and Saxon. Those are the bands that influenced Metallica in their formative years and continue to do so to this day. Remember, Metallica was never a pure-thrash band and has always bristled at any attempts to label them as such. Drop your pre-conceived notions what Metallica should be or what they used to be and simply listen. That is all.
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  • Gustav
    1.0 out of 5 stars Not as on picture.
    Reviewed in Sweden on February 26, 2025
    Vinyls on picture. Cd box delivered.
    Nothing in description mentioned that it was cd.
  • DACENIEL
    5.0 out of 5 stars Metallica cumple Amazon No
    Reviewed in Spain on December 15, 2016
    Excelente retorno de Metallica. Despues de tanto tiempo grabaron un muy buen disco. En mi opinión lo mejor desde el Black. Quizas le sobran un par de canciones del cd2 , pero las demas son excelentes. Tallica no inventa nada a estas alturas pero nos deja unos temas brillantes. Para mi no se complican: es como una mezcla entre el Black con un toque de "simpleza" de los temas de Kill em all con aires mas clásicos del heavy metal. Atlas Rise, Moth into flame, Spit out of bone (la Mejor), Halo of fire, Confussion, me parecen extraordinarias. Y Hardwired muy thrash punk. Ideal para abrir el disco.

    Recominendo la compra de la edicion con 3 cds. Por pocos eurs mas vale la pena.

    Por otro, aunque siempre tiene buen servicio, Amazon me falló otra vez en una compra pre-venta. La entrega no fue el mismo dia que salia el cd si no que llego 4 dias mas tarde. Al dia siguente quise abnular la compra, pero me dejó.
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  • W. H. Boudreau
    5.0 out of 5 stars Hard Wired the Metallica Album/Disc We Have Been Waiting For
    Reviewed in Canada on May 31, 2017
    Metallica has finally released the long awaited follow up to "Death Magnetic". It has proven well worth the wait. While DM was a terrific rock effort, "Hard Wired"is quite simply..metal...it puts the heavy in heavy metal and is the return to form attempted with "Some Kind of Monster" years back. Where SKOM failed to attain the metal god heights of yesteryear, Hardwired soars and easily strides to the  stratospheric levels that made Metallica a force of nature in the realms of both rock and metal.

    I have often said, they play like men half their ages. With this latest volley which includes a third bonus disk including homages to Deep Purple, Ronnie James Dio and Iron Maiden before pushing forth to recent live efforts, Metallica assures their spot in  the heavy metal echelon.

    Without sounding florid, this disc is tour de force. "Atlas Rise" is most likely the best track but there is just so much good that it is hard to really pick a  stand out track as there are so many hits. "Dream No More" is vintage metal, citing "Cthulu", the Lovecraftian source of darkness. Who the hell does this anymore...? Metallica...that's who. In a take no prisoners sonic assault, over three hours of tune-age passes by as if mere moments and this is a rare thing.

    There is a reason this album debuted at number 1 in 57 countries. It is that good. The release opens with "Hardwired" which is simply a hard rock anthem, pounding with speed and energy. "Atlas Rise" is anthemic with aspects of the mythic throughout. "Now That We're Dead" features stellar guitar work form Kirk Hammet as does "Halo on Fire". Both songs with various chord progressions and tempo changes ripple with vigor. Melody is not compromised in any respect and Hetfield's voice is in terrific form. Ulrich's drumming is other-worldly. It is as much a rhythmic onslaught as it is a study in tempo, pacing and channeled musical fury.

    The second disc finishing up the 80 minutes of new songs is more frenetic and up tempo. The style is metal, the talent throughout is rock n roll stripped bare to its purest essence. Standout tracks are "Confusion", "ManUnkind" and "Spit out the Bone" though honestly, there are no duds with this foray. The bass work throughout by  RobTrujillo mirrors  and strengthens Hetfield's work, re-establishing his "lord of down picking" monicker.

    The bonus disk delivers as well, showing the range of Hetfield's vocals and the broad pastiche that is Hammet's guitar-work. Kirk Hammet is not only a superb metal shredder; he is an exceptional guitarist whose work merits its place in the rock n roll pantheon. If you are lamenting the decline of modern rock or the lack of attention paid to heavy metal except for nostalgia tours, do yourself a favor and pick this one up. You will happily discover that Metal is alive and well channeled via the quartet that is Metallica. Metallica's "Hardwired...To Self-Destruct" is simply outstanding and well worth your time.
  • malama73
    5.0 out of 5 stars I Metallica sono questi, prendere o lasciare.
    Reviewed in Italy on November 21, 2016
    Diciamo subito che non è un album che contribuirà a scrivere la storia della musica però mi sembra un lavoro 'onesto' e suonato come solo loro sanno fare, non ci sono santi. Certo, se uno si aspetta i testi impegnati e la rabbia dei primi album rimarrà deluso e gli conviene virare su altri acquisti ma questo, il thrash metal, è un genere di musica molto particolare dove il limite tra lo 'spaccare' e lo 'scazzare' è veramente molto sottile. Quello che intendo dire è che non dimentichiamolo, a più di 50 anni suonati (e diversi milioni di dollari in banca) è molto molto difficile risultare credibili come headbangers o fare musica inc@zz@ta e si rischia di diventare grotteschi, meglio lasciarlo fare a band più giovani e ruspanti e di questo ne sono evidentemente consapevoli anche loro.
    Anche dal punto di vista dei testi, sempre secondo me, vale la stessa regola, se durante i tour vai a dormire in alberghi a venti stelle (non necessariamente per loro scelta ma dell'organizzazione), poi non sei credibile se fai canzoni a sfondo sociale o 'contro'.
    Comunque, tornando al disco, a me è piaciuto molto probabilmente perché le aspettative non erano molto alte e sono stato ben attento a non andare a cercare sul Web, anteprime, spezzoni, anticipazioni, video, interviste e/o materiale vario che potessero in qualche modo farmi avere idee giuste o sbagliate che fossero.
    L'album comunque è molto potente e per quanto gli è possibile cerca di avvicinarsi, almeno nello spirito, ai primi album (post Black Album); qui per esempio viene dato un po' più di spazio agli assoli di chitarra e in generale, pur essendo un suono pulito e forse troppo studiato, è molto più vivo, più "caldo" rispetto agli ultimi album tipo l'agghiacciante St. Anger o a Death Magnetic o almeno lo è nelle intenzioni e 'Hardwired', oltre a essere la title-track, ne è l'esempio più lampante.
    Diciamo che in questo album non ci sono canzoni brutte, non ci sono canzoni lunghe, non ci sono canzoni molli e nemmeno troppo dure, non c'è un filo logico che accomuni le varie tracce, non c'è Trujillo, non c'è Ulrich (purtroppo in questo album non è in forma ma fa solo il suo compitino), Hammett non inventa nulla di nuovo, Hetfield si fa abbellire la voce in studio ma bisogna essere consapevoli del fatto che gli anni passano per tutti e che certe sonorità non torneranno mai, vale per i Metallica e vale per qualsiasi altro gruppo dell'epoca quindi ho cercato di valutare quest'album come se l'altro ieri fosse stata la prima volta che li ascoltavo.
    Adesso c'è di meglio in giro? Probabilmente sì ma sono sicuro anche che quando fai un elenco sulle dita di una mano, i Metallica ci sono, anche questi vecchietti di Hardwired...to self-destruct.
  • Memphis
    5.0 out of 5 stars ça a été long mais c'est tout bon!!!
    Reviewed in France on November 20, 2016
    8 longues années d'attente c'est interminable puis enfin le triple album arrive et ça fait du bien surtout qu'il est réussi ce 10ème opus.
    certes entre temps il y a eu Lulu, en collaboration avec Lou Reed, qui pour ma part était plutôt bon et que j'ai défendu car il faut dire qu'il a été descendu injustement.
    de Metallica j'aime tout Load, Reload , st Anger ils ont l'avantage de pas se répéter , de proposer autre chose.
    de surtout faire ce qu'ils ont envie sans se renier et ça j'adhère...
    sans doute aussi parce que j'aime le Rock et le Blues.
    revenons a l'album donc 12 nouveaux titres pour le cd1 et 2, tous très bon ; mes préférés Now That We're Dead, Moth into Flame, Halo, Am i Savage, Atlas...
    pour le cd3 le très bon Lords Of Summer ainsi que des reprises essentiellement de Maiden et Deep Purple et quelques titres live dont le grandiose Fade To Black et le tout nouveau Hardwired.
    en tout 26 titres et plus de 2heures de bonnes zics.
    un excellent nouvel opus avec un LARS en grande forme.
    l'album 2017 certainement pour le plus grand groupe de métal j'ai nommé METALLICA.
    18,5/20...